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Krishna Mukherjee, renowned for her lead role in ‘Shubh Shagun,’ made serious allegations of harassment against the show’s producer, Kundan Singh, in an Instagram post. Her revelations prompted an outpouring of support from her industry colleagues. However, Kundan Singh refuted these accusations and issued warnings of legal repercussions. The situation has sparked significant attention, with ongoing developments capturing public interest.
Read full story here.
Eight years ago, Indian cinema witnessed a seismic shift with the release of ‘Baahubali 2: The Conclusion’ starring PAN India Superstar Prabhas. Directed by S.S. Rajamouli and featuring the enigmatic Prabhas in the lead role along with Rana Daggubati, Anushka Shetty and Ramya Krishnan along with others, the film not only shattered box office records but also redefined the boundaries of Indian cinema.
As we commemorate its anniversary, it’s imperative to delve into the profound impact that Prabhas’s performance in ‘Baahubali 2’ had on the industry, particularly in him becoming the very first PAN Indian superstar and reshaping the dynamics between Bollywood and Tollywood.
“Ranneeti,” originally known as “Grey Wars,” was a project that deeply resonated with me. When the opportunity came during a busy period, I was intrigued by the concept presented by the production house and the director, Mr. Santosh Singh. They shared a vision for a war room drama that delved into the complexities of decision-making during wartime, which immediately captivated my interest. We aimed to explore the intricate processes, strategic planning, and conflicting ideologies within a nation’s war room. This concept not only challenged me creatively but also offered a profound narrative depth that I was eager to bring to life visually. Location scouting was an immersive experience. Alongside Mr. Santosh Singh and our talented production designer, Mr. Rajat Poddar, we delved into the script to understand the essence of each scene. Together, we scouted various locations in Delhi and Punjab, searching for settings that not only fit the narrative but also added an authentic and visceral layer to the storytelling.
Being a cinematographer is akin to being the director’s visual interpreter, translating the written word into a visual tapestry that captivates the audience. When I embarked on the journey of filming “Ranneeti,” I immersed myself in the script, absorbing its nuances and thematic undercurrents. Each scene was a canvas waiting to be painted with light and color.
Color theory became my palette for storytelling. I meticulously selected color schemes that resonated with the mood and emotion of each moment. Red symbolized passion or danger, while blues evoked calmness or melancholy. These choices were not arbitrary but deliberate, aimed at enhancing the narrative impact.
The action sequences were adrenaline-pumping challenges. Collaborating with our action director, Mr. Ravi Varma, and foreign action director Steven moth, we meticulously storyboarded each sequence. This ensured that every action-packed moment seamlessly integrated into the storyline, maintaining the narrative’s intensity and flow.
Priyanka Chopra’s career took a significant turn when she relocated from Mumbai to Los Angeles to pursue her aspirations. Beyond her professional pursuits, she has also embraced new cultural norms in her personal life. In a recent interview on Cavanaugh James’s podcast, Priyanka discussed the adjustments she had to make after marrying Nick Jonas, shedding light on the cultural changes she has navigated through in her life.
Priyanka Chopra on cultural differences with Nick Jonas
During an interaction on the Read Room podcast, Priyanka Chopra shared her experiences on blending Indian and American customs as she got married to Nick Jonas. Talking about cultural norms and perspectives, the actor said, “He loved everything India, and I grew up in the States, it was literally my second home. So we embraced each other’s cultures in a big way. But it was the cultural things that were different.”
Actress Hina Khan has been occupied with shooting for her upcoming project and shared several glimpses from a night shoot, including a scene featuring a “fake” injury.
Hina took to Instagram to share a series of behind-the-scenes moments from the project.
The first post was a video showing a police van on a cross-over bridge, with the time “12:43 a.m.” written on it and stickers reading “On A Set” and “Behind the Scenes.”
Following this, she posted a selfie showcasing a fake injury on her forehead, clarifying that it was not real, and showing the time stamp as “5:14 a.m.”.
The actress captioned the image: “Do you see my chot… Well, ye asli nahi hai (This injury is not real).”
Hina then praised her makeup artist, Sachin, for the realistic-looking injury mark before bidding everyone good night.
No further details regarding the project were disclosed by Hina.
The actress is set to appear in the Punjabi film ‘Shinda Shinda No Papa’, alongside Gippy Grewal and Shinda Grewal.
The film is scheduled for release on May 10.
