Brad Pitt feels like a "weight has been lifted" after finalising his divorce from Angelina Jolie.
The 61-year-old actor and the Oscar-winning actress recently concluded their long-running legal battle, and Brad now feels ready to move to the next chapter in his life with his girlfriend Ines de Ramon.
A source told Us Weekly: "There’s a big sense of relief that it’s over. A weight has been lifted."
Brad and Angelina, 49, spent more than eight years locked in a bitter legal dispute. But after reaching a settlement agreement in December, Brad is now looking to the future with a renewed sense of optimism.
The insider explained: "Brad wants to get his life [back] on track and put this behind him. He can start over again."
Brad – who married Angelina in 2014 – began dating Ines, who works as a jewellery designer, in 2022.
However, a source previously claimed that the movie star – who was married to Jennifer Aniston between 2000 and 2005 – was happy to take his time with their romance.
The source told 'Entertainment Tonight': "Brad and Ines are still seeing each other and having fun.
"They enjoy each other’s company and have similar interests. They’re both creative, like to travel, and are happy being low-key. Things are good between them, but Brad isn't rushing anything."
Brad is "very careful and intentional about who he dates", according to the source, who observed that the 'Mr. and Mrs. Smith' star is also keen to "let things grow naturally" with Ines.
The insider shared: "Brad is very careful and intentional about who he dates. He likes to ease into things and let things grow naturally."
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Christina Applegate has called out the "real sick" people saying the Los Angeles wildfires are what “those stupid Hollywood people” deserve.
The 53-year-old actress and her daughter Sadie, 13, were among those forced to evacuate their homes amid the disaster – which has claimed the lives of at least 25 people and caused destruction in several communities – and she has been left appalled by comments online by people saying it’s a “good” thing.
Speaking on her 'MeSsy' podcast, she fumed: “You know what I have words for? F****** people who are saying that it’s, you know, good. It’s Hollywood and those stupid Hollywood people. Like, you’ve gotta be kidding me.”
The former ‘Married… with Children’ star highlighted that not everyone living in Los Angeles is a celebrity with a high income.
She continued: "We’re a small portion of the city.
I mean, this is a city of people that are working their a**** off at fast food chains or, you know, f****** builders and painters, and it’s a myriad of groups of humans here, so to say good riddance is real sick, and I’m not liking that whatsoever.”
When co-host Jamie-Lynn Sigler suggested she should stop scrolling social media, she replied: “I’ve tuned it out because they’re ridiculous, but I’m calling them out right now.”
'Sopranos' star Jamie-Lynn, 43, called for respect for everyone impacted, no matter how wealthy they are.
She said: "They’re all there for big dreams, and they work top to bottom, work their f****** a**** off
“And sure. Is there a group of people that have been affected that will have the ability to rebuild their lives? I wouldn’t say easily, but soon? Yes. And are there thousands of other people that literally have no idea where they will begin? Yes. And we have to hold both of them in our hearts.”
Christina – who has multiple sclerosis and uses a walking aid to get around – has packed all the essentials in a backpack in case they have to flee their home again.
She said: “I just have a backpack … the important papers and things that mean something to you.
“I tried to pack light, [but] my daughter’s got, like, four suitcases, so I don’t know what’s gonna happen there.”
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When the Palisades Fire broke out in Los Angeles last Tuesday, Hollywood’s awards season was in full swing. The Golden Globes had transpired less than 48 hours earlier and a series of splashy awards banquets followed in the days after.
But the enormity of the destruction in Southern California has quickly snuffed out all festiveness in the movie industry’s high season of celebration. At one point, the flames even encroached on the hillside above the Dolby Theatre, the home of the Academy Awards.
The fires have struck at the very heart of a movie industry still trying to stabilize itself after years of pandemic, labor turmoil and technological upheaval. Not for the first time this decade, the Oscars are facing the question of: Should the show go on? And if it does, what do they mean now?
“With ALL due respect during Hollywood’s season of celebration, I hope any of the networks televising the upcoming awards will seriously consider NOT televising them and donating the revenue they would have gathered to victims of the fires and the firefighters,” “Hacks” star Jean Smart, a recent Globe winner, wrote on Instagram.
The Oscars remain as scheduled, but it’s certain that they will be transformed due to the wildfires, and that most of the red-carpet pomp that typically stretches between now and then will be curtailed if not altogether canceled. With so many left without a home by the fires, there’s scant appetite for the usual self-congratulatory parades of the season.
Focus has turned, instead, to what the Oscars might symbolize for a traumatized Los Angeles. The Oscars have never meant less, but, at the same time, they might be more important than ever as a beacon of perseverance for the reeling movie capital.
The film academy on Monday for the second time delayed its nominations announcement. Nominations will now be announced virtually on Feb. 23. The academy also canceled its annual nominees luncheon and said it’s planning to honor frontline workers and to support relief efforts.
“We will get through this together and bring a sense of healing to our global film community,” vowed Bill Kramer, academy chief executive, and Janet Yang, academy president.
The fires, one of the costliest natural disasters in U.S. history, continue. The ongoing nature of the crisis, which has killed at least 25 people, has made remaking well-laid plans a moving target. The Critics Choice Awards have been postponed. Nominations to the Producers Guild Awards have been delayed twice with no new date set. On Tuesday, the guild established a fund to support producers affected by the fires.
The 67th Grammy Awards, scheduled to be held Feb. 2 in downtown Los Angeles, are going forward, albeit with significant changes. Harvey Mason jr., Recording Academy chief executive and Board of Trustees chair Tammy Hurt said this year's Grammys “will carry a renewed sense of purpose: raising additional funds to support wildfire relief efforts and honoring the bravery and dedication of first responders who risk their lives to protect ours.”
Some telethon-like element also seems sure to accompany the Oscars. In recent days, many throughout the industry have voiced suggestions for how the broadcast could be reconsidered. A not dissimilar process happened during the 2021 Oscars, which were postponed to late April because of the COVID-19 pandemic. The Oscars have been moved a few times throughout history, including in 1938, when the show was delayed a week due to historic flooding in Los Angeles.
For the Academy of Motion Pictures Arts and Sciences, the wildfires have been acutely personal. Four of the academy’s 55-person board of governors lost their homes, according to The Hollywood Reporter, including producer Lynette Howell Taylor, visual effects governor Brooke Breton, sound branch governor Mark P. Stoeckinger and animation branch governor Jinko Gotoh. The Pacific Palisades, which was largely destroyed by the fires, was home to many stars and executives.
For potential nominees, this would normally be when they’d be at their most active, campaigning in Q&As and other events tied to the all-important nominations voting period. All of that has ground to a halt. Isabella Rossellini, who’s favored to be nominated for best supporting actress for her performance in “Conclave,” on Instagram posted a photograph of an Oscar lying in ashes. The photo turned out to be fake, but it accurately captured Hollywood’s current mood.
“We have a lot of friends and colleagues who have either evacuated or really lost their houses,” “Conclave” director Edward Berger said following Wednesday's BAFTA nominations. “So it’s a very strange time to be feeling great about awards, to celebrate them. And the one thing that really picks me up is speaking to these friends and seeing how resilient they are.”
Several high-profile TV series were forced to pause production because of the fires but notably few movie shoots were affected. That, in itself, is a reflection of a Hollywood that has seen the majority of film production seek tax incentives in other states.
Work throughout the film and TV industry hasn’t rebounded following the 2023 strikes, leaving large numbers of crew members unemployed. So quiet are studio lots that actress Natalie Morales (“Grey’s Anatomy”) has advocated for studios, in the wake of the fires, to turn empty soundstages into temporary classrooms, erected by out-of-work craftspeople, for children whose schools burned down.
It’s a reminder that many in the film business need all the work they can find, including all the jobs that accompany the Oscars. Not only are the Academy Awards a vital spotlight on a wide swath of movies that otherwise might struggle to find audiences, the awards provide a lot of jobs to an awards season industrial complex of workers, stylists and vendors.
With so many out of work before the fires hit, Silvina Knight, an Emmy-winning makeup artist, calls this latest crisis “another setback – a big one.” She is currently working on “Suits LA,” one of the series that stopped filming due to the fires.
“I’m not sure how people are going to feel about getting dressed up and when they just lost everything,” said Knight of the Oscars. “But I don’t know, it might be a show of force when we come back. Yeah, this is tragic, but we are all coming together. Even driving home the other night, motorists were being very considerate of each other, which is unusual for Los Angeles.”
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A hip-hop superstar beef was cranked up another notch Wednesday when Drake sued Universal Music Group for defamation over rival Kendrick Lamar's diss track “Not Like Us.”
The lawsuit, filed in federal court in New York City, alleges UMG published and promoted the track even though it included false pedophilia allegations against Drake and suggested listeners should resort to vigilante justice. Lamar is not named in the suit.
The result, the suit says, was intruders shooting a security guard at Drake’s Toronto home, as well as online hate and harassment, a hit to his reputation and decreasing his brand's value before his contract renegotiation with UMG this year. The company has contracts with both stars.
“The lawsuit is not about the artist who created ‘Not Like Us,’" the lawsuit says, referring to Lamar. “It is, instead, entirely about UMG, the music company that decided to publish, promote, exploit, and monetize allegations that it understood were not only false, but dangerous.”
The suit later alleges, “UMG did so because it understood that the Recording's inflammatory and shocking allegations were a gold mine.”
And, the suit claims, the music company has made large investments and used its connections to arrange for “Not Like Us” to be performed at next month's Super Bowl, where Lamar will be the halftime entertainment.
The lawsuit, which is seeking a trial and an undisclosed amount of money for damages, also repeated allegations in other legal filings that UMG falsely pumped up the popularity of “Not Like Us” on streaming services.
Representatives for Drake declined to comment Wednesday. Representatives for UMG and Lamar did not immediately respond to emails seeking comment.
In a previous statement responding to similar allegations in pre-litigation filings, the record company said the “suggestion that UMG would do anything to undermine any of its artists is offensive and untrue. We employ the highest ethical practices in our marketing and promotional campaigns.”
The feud between Drake, a 38-year-old Canadian rapper and singer and five-time Grammy winner, and Lamar, a 37-year-old Pulitzer Prize winner, is among the biggest in hip-hop in recent years, with two of the genre’s biggest stars at its center.
The two were occasional collaborators more than a decade ago, but Lamar began taking public jabs at Drake starting in 2013. The fight escalated steeply last year.
Drake's lawyers, from New York-based Willkie Farr & Gallagher, said the lawsuit seeks to hold UMG accountable for knowingly promoting false and defamatory allegations against him.
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Jessica Simpson has put her Hidden Hills mansion on the market.
The 44-year-old star recently announced her split from husband Eric Johnson, and their family home in California is already listed for sale, according to PEOPLE.
The former couple – who have Maxi, 12, Ace, 11, and Birdie, five, together – bought the property back in 2013. But the celebrity duo have now decided to put it on the market for $17.9 million following their recent separation.
The mansion was previously put up for sale in September 2023, with Jessica setting an asking price of $22 million. However, the listing was removed in August last year, when Jessica failed to find a buyer.
Jessica announced their split on Tuesday (01.14.25), with the blonde beauty explaining that they've been "navigating a painful situation".
Jessica told PEOPLE: "Eric and I have been living separately navigating a painful situation in our marriage.
"Our children come first, and we are focusing on what is best for them. We are grateful for all of the love and support that has been coming our way, and appreciate privacy right now as we work through this as a family."
By contrast, in 2023, Jessica claimed that the couple did lots of "little things" to keep their romance alive.
The pop star told 'Access' at the time: "It's good to keep the romance there, even with three kids on top of our head. It's hard, but he'll leave me little notes, because he'll wake up earlier than me. He'll leave me little letters.
"There's a lot of things that make me like, 'I can't wait to get my hands on him later.' I think you have to have those little things as a couple that are just between you two."
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Lindsay Arnold feels "kind of nervous" about having a breast augmentation.
The 31-year-old dancer has returned home from a birthday getaway in Mexico before going under the knife, and Lindsay has admitted to feeling anxious about the procedure.
The professional dancer – who is best known for her appearances on 'Dancing with the Stars' and 'So You Think You Can Dance' – told her TikTok followers: "I'm kind of nervous, I'm not gonna lie.
"I'm so excited, like not nervous to have them done, but just nervous about the whole procedure."
Lindsay has "never had surgery before" and she's already had a nightmare about the procedure.
She shared: "[In the nightmare] I lift up the thing – my boobs are exactly the same. They're exactly the same. Like it's almost as if there was no surgery that was done.
"Such a dumb nightmare, but that's how my brain works, just so you know."
Lindsay spoke about her plans to get a breast augmentation in December, likening the procedure to a Christmas gift.
The dancer revealed via social media that she was feeling "excited" about the change, although she was still anxious about the procedure.
Lindsay said in a TikTok video: "My Christmas present this year is that I’m getting a breast augmentation.
"Guys, I’m freaking out. I’m freaking out okay, but I’m also so excited."
Lindsay turned 31 on January 11, and she planned to undergo the procedure after returning from a vacation with her husband.
The TV star added: "I am also getting a lift. So it’s gonna be a lift and augmentation. I’m very excited, but I’m not going to lie, like it is kinda scary."
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The Sex Pistols are releasing three lives albums from their raucous 1978 US tour.
For the first time, fans will be able to relive punk legends Johnny Rotten (aka Lydon), Paul Cook, Steve Jones and the late Sid Vicious' ferocious concerts that led to their demise at their final concert at the Winterland Ballroom in San Francisco on January 14, 1978 – before they reformed in 1996.
Fans can hear ‘God Save the Queen’, ‘Bodies’ and ‘Anarchy in the UK’ – which they renamed 'Anarchy in the USA' – and more in all their glory along with frontman Rotten's boisterous ramblings.
The sets were recorded at South East Music in Atlanta, Georgia, on January 5, Longhorns Ballroom in Dallas, Texas, on January 10, and the finale at Winterland Ballroom.
A radio advert for the Dallas show proclaimed: “They said no one could be more bizarre than Alice Cooper or more destructive than Kiss. They have not seen the Sex Pistols…Banned in their own home country, England’s Sex Pistols denied admittance to the United States – the Sex Pistols bring the new wave to the Metroplex this Tuesday night in the Longhorn Ballroom.”
At the final date, Rotten declared: “Ever get the feeling you’ve been cheated?”
The admission came just days before Rotten announced that he had quit the band, leading to the group's implosion.
A press release read: "Audiences were provoked, objects flew, tensions brewed, cracks widened among the Pistols themselves – but amidst it all was delivered some of the rawest and most honest music that the country that birthed rock and roll had ever seen. ‘God Save the Queen’, ‘Bodies’, and the re-targeted ‘Anarchy in the USA’ – all launched at the crowds and the onlooking authorities."
The first vinyl, available in red, from the Atlanta gig will be available from February 28.
The white vinyl of the Dallas concert goes on sale on March 28, and the San Francisco vinyl, in blue, on April 25.
All three shows will also be available digitally and on CD.
Pre-orders are available now via Amazon Music store and other storefronts.
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Paris Hilton is trying to reunite a cat with their owner following the LA wildfires.
The 43-year-old heiress was one of several celebrities to lose their multi-million dollar property in the Pasadena Palisades blaze when it kicked off on January 9 and has decided to do some voluntary work at an animal shelter, where she is hoping that her 27 million followers can help get a feline back home by locating their missing companion.
Speaking in a video posted to Instagram, she said: "I am here at Pasadena Human Society, and today I am here with this cat. He has been here for four days so far and does not have a collar or a microchip, so they don't know who his owner is. I wanted to show him so you guys could see and so he can go back to his home."
The 'Simple Life' star shared in the caption of the post that the feline was found in Altadena within the Sun Gabriel Valley and begged her followers to share the post.
She said: "I spent yesterday volunteering at the @PasadenaHumane Society, spending time with animals found after the wildfire.
"This beautiful cat was found without a collar in #Altadena and has been in the shelter for the last four days[heartbroken emojj] Please share with anyone you know from the Altadena area so we can reconnect this baby with his owner! His animal ID is A519218.
"My nonprofit @1111Media Impact has contributed to support the shelter’s efforts, and we’re still raising funds to help displaced families and pets ????Every donation makes a difference in providing emergency relief, housing, and supplies. If you’re able to donate or volunteer, the Pasadena Humane Society is an incredible charity to support!
"You can contribute directly to them or via my emergency fund at the link in bio
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Metallica have donated $500,000 to the Los Angeles wildfires relief efforts.
The heavy metal legends have announced that through their All Within My Hands Foundation they are splitting the sum between California Community Foundation’s Wildfire Recovery Fund and the Pasadena Community Foundation’s Eaton Canyon Fire Relief and Recovery Fund.
The James Hetfield-led group said in a statement: “In the past week, the community has suffered at least 24 lives lost, nearly 100,000 people under evacuation orders, 40,000 acres burned, and more than 12,000 structures—commercial and residential—destroyed. However, numbers cannot articulate the magnitude of anguish as the disaster upends families and dismantles livelihoods.”
The 'Nothing Else Matters' hitmakers' donation comes after Beyonce donated $2.5 million.
The 43-year-old Grammy winner announced the money will be given to the LA Fire Relief Fund through her BeyGOOD Foundation to help victims of the wildfires, which have devastated large swathes of southern California since they broke out last week.
A message posted on the charity's Instagram page stated: "Los Angeles we stand with you. BeyGOOD is taking action by announcing the LA Fire Relief Fund with a donation of 2.5 million dollars.
"The fund is earmarked to aid families in the Altadena/Pasadena area who lost their homes, and to churches and community centers to address the immediate needs of those affected by the wildfires."
Meanwhile, the Grammy Awards will still go ahead as planned in Los Angeles – but with a “renewed sense of purpose”.
There were fears the ceremony at the Crypto.com Arena, set for February 2, would be axed in the wake of the deadly wildfires still plaguing Southern California – which have now claimed at least 24 lives.
But Recording Academy and MusiCares CEO Harvey Mason Jr and Board of Trustees Chair Tammy Hurt released a statement to confirm it will still take place but with a focus on raising money for relief efforts.
Shared by CNN Reporter Elizabeth Wagmeister on X, the message began: “Dear Recording Academy Members, Our hearts go out to everyone affected by the devastating wildfires in Los Angeles.
“This city is our home, and we mourn the loss of life and destruction that have come to it in recent days.
“In response to this crisis, the Recording Academy and MusiCares launched the Los Angeles Fire Relief Effort last week with an initial $1 million donation to support music creatives and professionals.”
Referring to funding raised for wildfire victims and the awards’ sense of “purpose” this year in light of the wildfires devastation, the statement added: “Thanks to additional contributions, we have already distributed over $2 million in emergency aid to those most in need – and we remain steadfast in our commitment to providing ongoing assistance.
“In close coordination with local authorities to ensure public safety and responsible use of area resources, the 67th GRAMMY Awards telecast on CBS on February 2nd will proceed as planned.
“This year's show, however, will carry a renewed sense of purpose: raising additional funds to support wildfire relief efforts and honouring the bravery and dedication of first responders who risk their lives to protect ours.
“In challenging times, music has the power to heal, comfort, and unite like nothing else.
“The Grammys will not only honour the artistry and achievements of our music
community but also serve as a platform to amplify the spirit of resilience that defines this great city of Los Angeles.”
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Stanley Tucci has described 'Captain America: The First Avenger' as one of the greatest parts of his career.
The 64-year-old actor played scientist Abraham Erskine in the 2011 Marvel Cinematic Universe (MCU) picture and considers it to be one of his most memorable roles.
Stanley told Variety: "I loved 'Captain America: The First Avenger', it was one of the greatest roles and jobs I've ever had.
"I was there for three weeks and had a wonderful time, and I also loved playing that character. I was cast as a 70-year-old man at the age of 50, so that was disturbing, but that's all right; I was flattered and insulted at the same time… You have to mix it up, as they say."
Tucci's latest role is alongside Ralph Fiennes and John Lithgow in the political thriller 'Conclave' and he has been surprised by the broad appeal of the picture – which was nominated for six Golden Globes.
He said: "From what I've heard, I'm shocked at the diversity of the audience. Also, this is a very adult film. But it's not pretentious. It simply shows you what's happening.
"And these people are making it happen or failing and fumbling to make it happen, and I think that's why people like it."
The 'Hunger Games' actor is proud to be part of the movie that is based on Robert Harris' novel of the same name.
Stanley said: "Listen. It's great when a movie like this comes along, which is rare; you're happy about it on so many levels.
"One, for selfish reasons, because you have a great role and will work with amazing people, and two; you're telling an interesting story.
"I knew that story because I had read the book prior: I love Robert Harris' novels. I think they're incredible.
"I read this four years ago, and they sent me the script. It was Edward (Berger, director) and then Ralph and Isabella (Rossellini) and John and, I mean, it was like the perfect creative storm."
Tucci also revealed that he would be "so happy" if a sequel to 'The Devil Wears Prada' materialises although he is unable to give away much detail about the potential film.
The star said: "I know they're working on it. If it happens, I would be so happy, but I cannot give you any information. Otherwise, I'll go to the actor's prison or something. (The original) was one of the best experiences ever."
Stanley is also grateful that a number of his films have stood the test of time.
He said: "I mean, certainly 'The Devil Wears Prada', 'The Lovely Bones' without question, 'Julie and Julia'. I made a movie with Colin Firth about five years ago called 'Supernova'.
"It's an absolutely beautiful film. I love that director (Harry Macqueen) and it got wonderful reviews and everything, though there were no awards or anything like that.
"That made me sad for the director/writer because I think he's extraordinary. Getting an independent film about that subject off the ground like that is hard, and I wanted him to have more. I wanted him to have more success afterward."
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Brooke Shields only accepts "work that serves [her]".
The 59-year-old actress felt compelled to renegotiate her 16-film deal with Hallmark Network after just three movies, and Brooke claims that the experience with Hallmark taught her an invaluable career lesson.
In her new memoir, 'Brooke Shields Is Not Allowed to Get Old: Thoughts on Aging as a Woman', she shares: "I’d completed only three when I realized I had to renegotiate.
"I’d been hired, I was told, to help change the face of the network. They wanted me to be funny and bring more comedy to their offerings, but as filming progressed on each of the 'Flower Shop Mysteries' – the franchise I was hired to headline – all the humor had evaporated."
Brooke starred in three Hallmark movies in 2016 – but she quickly felt an urge to renegotiate her contract.
She explains: "Not everything is for everyone, and there is absolutely nothing wrong with the Hallmark Channel – God knows it has a huge fan base – but it was not the future I wanted for my career.
"I’m never against hard work, but I am now a believer in only saying yes to work that serves me."
Brooke admitted that it took some courage to walk away from her lucrative contract. And the actress conceded that she might've even fulfilled her contract earlier in her career, when she was less sure of herself.
She said: "I simply could not do ten more films that were not what I was promised and felt completely wrong for me. So I quit. I definitely surprised some people, and in plenty of ways I surprised myself. I certainly would never have done that in my 20s."
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Tom Hanks has defended the use of de-ageing technology in his movie 'Here'.
The Hollywood icon features alongside his 'Forrest Gump' co-star Robin Wright in the film about a group of people who live on a plot of land over the course of different time periods and praised the software for allowing the cast to look younger when playing characters at different stages of life.
Hanks, 68, told Radio Times magazine: "It's a great tool, because the super computing means you do not have to wait for post-production to do the purely technical visual view of it."
The 'Saving Private Ryan' actor explained that it took the technology a "nanosecond" to do something that would have previously taken six months to complete.
Hanks explained: "It's amazing how both of us became very technical right off the bat.
"I need to have better posture; you have to get off the couch a little bit faster than you did; we both have eyes that know too much. We had to figure out a way to remove that jaded-life quality."
Robin believes that the AI software allowed her and Tom to give a convincing portrayal of their younger selves, even though it still has limitations.
The 58-year-old star said: "We never could have emulated ourselves at 19 in our eyes.
"We have all this life experience now. But the (de-ageing) was a great tool so that we didn't have to cast somebody younger to play us."
Hanks previously suggested that AI has the potential to allow him to continue acting in movies after his death.
He told 'The Adam Buxton Podcast': "I could be hit by a bus tomorrow and that's it, but performances can go on and on.
"There'll be nothing to tell you that it's not me and me alone and it's going to have some degree of lifelike quality. That's certainly an artistic challenge but it's also a legal one."
Hanks hopes that the movie – which is directed by Robert Zemeckis – teaches audiences about the "importance of being in the moment".
He said: "I think the impermanence of what happens is something we just have to accept as part of the human condition, right?
"Yesterday means nothing because there's nothing we can do to change it, and tomorrow, it means nothing because there's no way we can predict what's going to be. All we can do is exist today."
The 'Big' star added: "There's an awful lot of philosophy you can jam into that reality, and I think it's manifested from the very first moment of the film, when Robin and I walk in as our older selves to an empty house void of anything that could be a memory other than what we're carrying along in our heads.
"And what speaks to impermanence, as well as also the importance of being in the moment right here, right now, better than that?"
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